The orchestra and the benevolent dictator

In 1972, a group of young musicians made history by creating an orchestra without a conductor. Nearly 50 years later, the Orpheus Chamber Orchestra is still something of a prodigy in the search for viable models of collaborative leadership.

The role of the conductor has changed significantly over the last century since the days of Arturo Toscanini who famously broke batons, berated musicians and even threw a score at his orchestra during rehearsals. But even so, an orchestra is still not the kind of environment typically associated with democratic leadership. This is of course why Orpheus still stands out.

There are rich lessons in collaboration in the way the 34 members of Orpheus work together as a collective and rotate leadership roles. It’s also a case study in how leadership can evolve to adapt to an environment where more inclusion and democracy is called for.

We have lost faith in command and control leadership and all the inequities it has created. This was the the old-style, take-charge, rally-the-troops type of leadership typified by Winston Churchill, Thomas Watson, and Lee Iacocca which has largely fallen out of favour.

Today you will struggle to find many high profile leaders who don’t describe themselves as collaborative in some way.

Now it is necessary to appreciate the wisdom of the crowd rather than continuing to idolise the lone genius. As leadership author Ken Blanchard says “No one is as smart as all of us”.

So Orpheus is a case study in hope  – the hope to find a new way to exchange feedback, refine teamwork, enhance motivation, and encourage creativity whatever the industry.

There are, however, those who believe that the Orpheus process pays a price for its commitment to radical collaboration. The response has often been mixed and reviews can go both ways. The same performance is either described as brilliant or staid. Musicians too are divided in their views.

Many say there’s a sacrifice made when rule-by-committee exists; there is often no consistent point of view through a piece. Rehearsals can take hours, everything is debated and no clear vision of a piece comes across.

Jeffrey Pfeffer, professor of business theory in the Graduate School of Business at Stanford is one commentator who remains unconvinced about the merits of the Orpheus model.

“There are various movements that have tried to ‘democratize’ organizations. They mostly don’t work or don’t last. I am a huge believer in the advantages of the Orpheus approach, but it flies in the face of fundamental human psychology. “ he says.

As one frustrated violist commented: “Large orchestras simply can’t succeed without a benign dictator to take the reins and make decisions — right or wrong, then take credit/blame and responsibility.”

In his article Collaboration Overload in Harvard Business Review, Organisational Psychology Professor Adam Grant and co-authors Rob Cross and Rebe Rebele question whether the collaboration wave has gone too far and suggest that the time has come for a “collaborator-in-chief’ to mediate the chaos of too much consensus.

There is much to praise about collaboration but there are also some traps to avoid. We have all grown weary of too many meetings, emails and the other unproductive interactions associated with collaboration at work. Excessive collaboration saps energy and leaves us with just too little time to do our most important work.

Whether it’s the conductor of an orchestra that needs fresh inspiration,  the leader of an organisation that needs new direction or a country who needs hope in the middle of a pandemic – there is still a place for the benevolent dictator.

As long as leaders focus more on the benevolence part of the equation and less on dictatorship, we will continue to value direction from someone who knows the overall score better than we do and who is able to inspire us to make more beautiful music than we are able to create on our own.

 

What If you could design your own women’s leadership conference…?

welead_320I’m becoming more and more convinced that all the skills I need can be found within my WeLead Circles. From marketing and design, to copywriting, music, project management and research – I can’t begin to tell you how brilliant and generous my tribe of WeLeaders has been in helping us make this the best women’s leadership event yet. Continue reading

An invitation to co-create a way for women to lead together: the #WeLead Manifesto (By Debby Edelstein & you)

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This is an invitation to join me in writing a new manifesto for feminine leadership. It’s an experiment in feminine, creative collaboration and this post is about why I need you

My creativity is a dance between finding my voice and creating conversation. It’s a kind of a dance in and out of the light. The cool shade of thought and contemplation and then the scarier notion of exposing blemishes in the sunlight in heady conversation with a carefully selected circle.

I have succeeded and failed at both aspects of this dance in equal measure. I have allowed fear, disguised as false modesty to prevent me from putting my best ideas out into the world. I have used collective wisdom as a safety net for being stingy about sharing my best work. (“There’s so much brilliance in the world already, what could I possibly add?”) I have regularly squeezed the handbrakes to stop myself from doing both in full flight. I have made excuses that have sounded so elegant that I’ve almost convinced myself.

This post is a public declaration of intent to stop self sabotage and stinginess and to experiment instead with radical collaboration and generosity.

From now on, I will reference and give credit to the people, authors and thinkers who inspire me. I will invite whoever wants to, to join me in co-creation. I will hold on to the confidence to share my best leadership vision and energy to make inspired projects happen.

  • The first step to lead in this new collaborative way is to get to a place where you accept that you have value to offer the world. (I’m about as close to this step as I will ever be)
  • Then perhaps you need help accessing your voice before you have the courage to speak or write your ideas. (that’s where you come in) I know there’s no escape from this most fundamental form of creativity –I have to articulate it and share it with the world before the next step.
  • Which is to engage others in conversation to take an idea from good enough to brilliant.

Sometimes I pick up a book that makes me want to jump. It stirs my thinking and shakes me so deeply that I physically have to put it down and stop reading. This counter-intuitive response has to be the worst form of procrastination.

In fact, maybe it’s more serious than procrastination and is actually a kind of a death-wish.

Because after all, a fear of experiencing intense creativity and the desire to return to the far more familiar state of inertia is an attempt to kill something beautiful rather than allowing it to flourish.

So it’s a rather serious problem. Because it means that I have the ability to elevate garden variety procrastination to an art form. It’s all very well to postpone tidying my desk. But procrastinating the ideas that excite me the most and which deserve to blossom in the world is a self-destructive way of living that I would not recommend. I also suspect that this is a malaise that anyone familiar with the creative process will find familiar.

One of the books that made me jump is We-Think by Charles Leadbeater. Today I picked it up again. I last looked at it years ago. It was also a good few years after being exposed to a workshop with Leadbeater for the first time at the Tallberg forum in Sweden when I didn’t yet know who he was. Charles Handy was in the same workshop and I was starstruck by the bigger name of another great thinker whose work I admired.

When I discovered We-think I loved it so much that of course I put it down. But it had made its mark and inspired the name of the women’s leadership circles I launched two years ago which I called Welead.

I chose the name because even though they were created for women, the name isn’t gender specific so that we can allow for the concept to evolve to include mixed gender circles. I like the implied collaboration in the word “we” which is integral to what we believe about a more feminine leadership approach.

Leadbeater explains in his forward how half-way through the writing of his book, he realized it would be “odd to write about the growth of collaborative thinking in the traditional way: the writer at his desk, isolated from the world, alone with his thoughts.

“With the support of my publisher, Profile, I posted an early draft on my website so people could download it, print it, read it and comment on it. They could also go to a wiki version to change the text and distribute it to their friends and colleagues” 

This approach excited me when I first read it and it excites me now. Co-creation is the most fun way to learn and it’s the way we learn about leadership in WeLead circles. If you’re an ambivert like me, (thank you Susan Cain for making it OK to be an introvert) then you’ll understand the need to alternate between quiet thinking and writing time and the more exuberant energy of bouncing ideas around in conversation.

It’s also a brilliantly efficient way to work and we need to do it more – both at school and university and at work.

My 16 year old daughter wrote a mammoth English literary essay this year. Their Grade was tasked with exploring the notion of power and powerlessness in 5 books – 3 prescribed and 2 elective options. It’s by far the most ambitious English essay they’ve been tasked with yet and she was feeling a little overwhelmed. So she completed 90 per cent of the essay and then spent an hour discussing it with her older brother. This conversation and the insight my son could give her made the difference between good and brilliant and it got me thinking.

Rather than letting my energy fizzle out towards the end of a big project, (or sometimes in the middle) who can I ask to help me with the last gloss of brilliance that will take my work from good to great?

That of course is where you come in. This is your invitation to join me write the manifesto for WeLead Circles.

  • What does the best possible form of feminine leadership look like?
  • Where have you experienced it before?
  • What have you read about leadership (collaborative, feminine or otherwise) that inspired you?

I invite you to comment, contribute and add your voice to a new way of leading in the world. Whatever you’re thinking, I want to hear it . It’s time to discover and describe another way of leading together and its far too exciting to do it alone.

“We are the leaders we’ve been waiting for”

#WeLead

Magic happens “when some friends and I started talking.” #wordsandmusic

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On Sunday night a few friends decided to get together to host a special evening with food, music and poetry. They called it #wordsandmusic and I’ve been thinking about what they did to get it so right.

“It all began when some friends and I started talking” says Meg Wheatley, one of the authors who has most shaped my definition of leadership.

While her quote refers to social change, it’s equally relevant when it comes to dinner parties. Because a conversation has the ability to gather magical momentum whether we’re talking about starting a movement or hosting friends.

First came the inspiration of Lionel Bastos (who I’m delighted to say will perform once more at our Women’s Leadership Conference this year with Wendy Oldfield) Now I know that Lionel is a great musician and also that he has retained his humility and remains a mensch. But I could never have guessed at his sensitivity as creativity coach as he shared the stage with Mandy Collins. He knew just how much to support and how much to let go – a rare talent

Then of course was the courage of the evening’s convenor Mandy Collins who took action and turned Lionel’s suggestion into reality by acknowledging that it was time to let the world hear her original music and her voice.

There’s something powerfully generative about doing what makes you scared. Mandy said she was terrified but by facing her fears and going where her creativity needed her to go she unleashed a special kind of magic. She did so with a gentle presence and musicality that saw her harmonise easily with one of SA’s best musical talents.

Poet Ruth Everson brought a gravitas to the evening with her courage with words that made us all feel that truth is the only option. What better gift could a poet give? The fact that she was Robyn Clark’s English teacher was one of the many delightful little connections which lit up the gathering like the fairylights in Mandy’s garden,

Clive Simpkins was the perfect MC. ( one member of the audience tweeted that he was “starstruck to have met him) As much facilitator as raconteur, he was perfectly tuned in to the atmosphere and to what needed to be said when. (Not only to all the performers but his easy reference to many members of the audience too made us feel we were at a big dinner party rather than an event)

There was also gratitude aplenty – I’ve hosted many events and I can’t tell you how often speakers forget to say thank you to the host.

But not this time. Everyone was beautifully aware that we’d been invited to something intimate and special and we were more than happy to pay for the privilege of being there. There was also a spirit of collaboration – not one of the performers tried in any way to overshadow any of the others

I left wanting more and inspired that there’s a group of people up the road from me who are genuinely committed to creativity and collaboration.

If you’d like to lead like Mandy and start your own conversation, this is the simple guide I give at many QualityLife events which #wordsandmusic followed so instinctively

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The Dark Side of the Little Red Hen

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Never mind the usual leadership gurus, it’s the story of the Little Red Hen and her can-do approach that has shaped my work life.

There are a few childhood narratives that strike a chord at the right time and have the power to stay with you forever. Together with a few other favourite stories my mother read and told (like Pookie the Rabbit whose whimsical illustrations gave me a love of blue flowers forever) the force of the Little Red Hen remains strong within me.

So imagine my delight to learn in Time that Sheryl Sandberg, COO of Facebook and author of the recently released Lean In, was also  influenced by this famous fable. In sixth grade, Sandberg took second place in a Florida-wide oratory contest when she used the folktale of the little red hen to talk about the importance of everyone doing their bit for America.

There’s a strong sense of industry, self-sufficiency and reliance in the tale. When the dog, the cat and the duck refuse to help her make bread “Then I will make it all by myself” said the Little Red Hen. “And she did.”

So over the years whenever I get frustrated that my ideas haven’t attracted the right support or sponsorship, I hear the feisty words of the Little Red Hen and remember “Then I will make it all by myself”.

It’s a liberating way to live. And I’ve launched a few businesses on the strength of this philosophy.

But as much as I love her and all that she represents, I’ve learned that there’s a dark side to the Little Red Hen and her self-sufficiency.

It’s the shadow side of the entrepreneur.

Benjamin Zander  conductor of The Boston Philharmonic Orchestra and author of the Art of Possibility told the story of how he once apologized to his students who didn’t attend an important concert because he, as their leader, failed to convey sufficiently how inspiring and beautiful that concert would be.

This I’ve learned is one of the most important roles of a leader – the ability to communicate a vision that takes people with you and allows them the joy of participation.

So I’ve learned that the Little Red Hen is missing a few tricks and these are a few ideas I’d like to share with her:

  1. Yes you’re tough, multi-skilled and resilient but are you a great leader? Take time to share your vision of toasty, freshly baked bread and how delicious it will be
  2. When you invite others to participate in your vision, you’re sacrificing complete control. There will probably be a mess in your kitchen that alone you wouldn’t make. But there’s fun, festivity and a sense of something bigger that can emerge if you tolerate the mess
  3. Don’t take perverse pride out of being a bad delegator. Everyone can learn to bake if you take the time out of your busy day to show them how
  4.  Sharing the bread you’ve baked is far more fun when you do it together in a spirit of love and generosity. Have your friends over and give them a slice

With love and appreciation for all you’ve taught me.

Debby